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Author:Ian Mackean
This is the first in a series of articles I shall be publishing on the subject of short story writing. I wrote the articles during many years’ work as a creative writing tutor. I believe they will offer useful practical advice on technical aspect of the craft of fiction writing, and on some of the psychological aspects of writing, such as finding inspiration and overcoming writer's block.
All the topics I mention are covered in greater depth on my site Short Story
Writing. See the link at the foot of the page.
I began teaching, just as I began fiction writing, with a healthy scepticism
about the value of guidelines in a field which is essentially creative, but
after teaching hundreds of students and assessing hundreds of stories it became
apparent that although every piece of work I saw, was unique, certain types of
problem were appearing again and again. I began to write lessons on these
subjects, and those lessons were the basis for the articles I shall publish.
I do not pretend that I can to offer an approach to story writing which will
suit everyone, but my guidelines will help you to appreciate the technical
issues involved in fiction writing, and to decide on the approach you want to
adopt in your own work. Familiarity with these issues will also help you to
analyse techniques used in any published short stories you read.
Even if you find that you do not agree with some of the advice I have to
offer, the articles will show you aspects of fiction writing which need to be
borne in mind, and I believe they will show you the best way to learn to write
fiction.
Writing for money?
Many other sources of advice on fiction writing assume that the only reason
the for writing short stories is to make money, and advise would-be writers to
tailor their work to suit a market before even setting pen to paper. This
attitude is alien to my own approach to creative writing, which for me is
primarily an art form and means of self-expression, and was alien to the
approach of most of the students with whom I worked.
In fact I found that the hope of financial reward was a motivating factor for
only a small minority of students. I would say the main motivation was the wish
to master an art form which appealed to them, coupled with a wish to express
their own perceptions and visions of life, whether based on real experience or
imagination.
But everyone who attempts writing wants to bring their work up to publishable
standard, and the principles of good short story writing are the same whether
the motive is artistic or financial, and the guidelines I offer are relevant to
all types of story.
Novel writing
The topics I shall discuss here are as relevant to novel writing as they are
to short story writing. Some of the principles, such as the recommendation to
stay with a single character's point of view, are not adhered to so frequently
in novels as they are in short stories, but nevertheless you need to consider
the question of point of view when planning a novel and my article on Point of
view will show you the options available to you.
Some novels do stay rigorously with a single point of view, perhaps one of
the most famous being Catcher in the Rye by J D Salinger, and my view is that
novels are more compelling when presented in this way, but the majority of
novels are presented from the omniscient narrator point of view.
Among my students some had stories and novels published or broadcast, and
some gained recognition in writing competitions. It was always rewarding to hear
about this kind of success, but the main source of satisfaction for me as a
tutor was the conviction that every student I taught, whether beginners or
experienced, finished the course a better writer than they were when they
started. I hope this series of articles, which emerged directly from my
practical work with students, will prove useful to anyone who wants to write
short stories.
More articles to follow.
Ian Mackean
About the Author
Ian Mackean runs the sites
http://www.literature-study-online.com, where his site on Short Story
Writing can be found, and
http://www.booksmadeintomovies.com. He was a short story and novel
writing tutor for many years, and had many of his own stories published in
literary magazines. He is the editor of The Essentials of Literature in
English post-1914, ISBN 0340882689, which was published by Hodder Arnold
in 2005. When not writing about literature or short story writing he is a keen
amateur photographer, and has made a site of his photography at
http://www.photo-zen.com
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